Sequential and Comic art

I don't know if anyone has noticed but the style of my illustration and gallery work is steadily shifting into a "comics influenced" realm. I love working with a brush and india ink. And now that I have started using earthquake putty to keep ink bottles in place, the lack of Valdez-like spills has made my drawing experiences even more enjoyable! Check it out.

Some sequential stuff

I did the pencils and inking for this issue of the Gutters web comic

Character Design and Layout for animation

I thought I'd post some various character designs and layout work since this stuff isn't included on my web portfolio. Some of this work is from my time at Academy of Art University, some is for clients.

Layouts and Character set-ups

Why Walker-Con?

I've been exhibiting at comic-book/pop culture conventions and craft fairs (Comic-con, Wonder-con Renegade Craft Fair, etc.) for about five years now. So to tell you I am taking a break from conventions leaves me feeling stummed. Yes, stummed. It's a term a friend, Patrick coined to describe the feeling of being stoked and bummed at the same time. I'm stoked because I need this time to focus on creating a series of paintings for a gallery show happening this fall. It's going to be, as the kids these days say, "a Big Up". I also just need to re-evaluate and re-invent what it is I am doing with my art and merchandise. The "why and how" I do cons is going to change and that's pretty exciting for me.

But of course I'm bummed that I am missing the craziness and camaraderie of cons; seeing old friends, meeting new friends, the "Is that the right to arm bears?" jokes... OK not really that so much. But the feeling of being part of people's Comic-Con experience will be missed this year.

So that's why you didn't see me at Wonder-con and you won't see me this July in San Diego. But like a fiery butterfly emerging from his ashy chrysalis, I too will rise from my confused metaphor in 2013!

In the mean time you can help with my transformations by helping yourself to my T-shirts, just 8 bucks each, or maybe pick up some original art, also priced for these lean times. It's all Available on my web store: benwalker.bigcartel.com.

WALKER-CON, it's on!

benwalker.bigcartel.com

Valentines

Weirdos in Love

 Feel free to send these Valentines to someone you love or like a lot.

A Bird in the Hand

A few days ago I happened to see a tweet from Lady Gaga saying that drawings of her "flipping the bird" at a Mets game could end up in V Magazine. I was a bit of confused about the deadline since the magazine's site just said something about it being "tonight", but whatever. I had just finished a sweet T-shirt design for Yahoo! and this sounded like a fun excuse to practice some more celebrity caricatures (that aren't from the 70's or 80's). I took on the challenge!

The first thing I like to do is scribble a few thumbnails of what I want to do. Then I try to find lots of pictures as reference. So I scoured the web and found photos of people flipping the bird, women in the right position (or close enough, I'm not going to find the pose with an extended arm and middle finger, of course), pictures of Gaga and her famous egg-pod. But I really wasn't wanting to see the actual pic of her "flipping the bird" at the game. I think that would just influence my concept too much. Instead I took inspiration from the famous shot of Johnny Cash flipping off the camera. That's the attitude and facial expression I wanted.

Ben Walker Secret: I do the same thing for many of my "bears with guns" paintings. Recognize this pic of Eazy-E?

Once I had collected some inspiring photos, I got to sketching on copy paper. I use pieces of tracing paper to add elements and edit/refine my drawing. This definitely helps me experiment and layer the overlapping elements in the composition. Plus you can do stuff like tracing one slave, flipping it and repeating it on the other side. They're supposed to all look alike anyway, right?

Next, I transferred the sketch to illustration board using blue transfer paper. I end up with a basic blue drawing that easily erases (since I have to freshen up much of the drawing anyway). Plus, the blue won't show up when I scan the inked drawing. To folks who aren't familiar with the illustration process this may begin sounding like a lot of work. I guess it sort of is but this process really is easier than trying to start out right on your good illustration paper. There's just too many overlapping and interacting elements involved for me to work out first.

So once the blue sketch was on my illustration board, I went to inking it in. I used my #1 Princeton Art liner brush for most of the drawing. I just used an office-style, ball point pen for the fishnet stockings.

OK, at this point it became a Tim Gunn "make it work" moment. Since this was time sensitive, I scanned the line drawing and quickly colored the image digitally. I think it ended up looking cleaner and "tamer" than I had initially envisioned. But I went ahead and put it out there as the finished piece.

I had a couple hours to spare last night so I pulled out the original line drawing and colored it in with Dr. PH Martin's watercolor dyes. I like this version a lot better and it didn't take much more time than it had to color in Photoshop.

Well, there you have it. I can call this one done and move on to the next project. I'm painting an armed "wild woman" riding a grizzly bear. Why mess with success?

Thanks for reading!

-Ben Walker

... Leonoardo?

Garbage Pale Kids at G1988

There are few staples of American culture more celebrated and cherished than these small pieces of card stock which so cuttingly parody our own foibles. I refer to of course, the Garbage Pale Kids.

Topps and The Hundreds teamed up with Gallery 1988 (the world's #1 destinations for pop culture art) to bring together 100 of your favorite artists to create some new "Kids". I was honored to be invited to take part. I give you my submissions into this show: Ingrown Tony and Butter Side Don.

You can see all of the resulting artwork Friday September 2nd at Gallery 1988 (Melrose). More surprises and information about the show is still to come!! Stay tuned.

Weirdos in Love

Crazy 4 Cult 5 at Gallery 1988 (Melrose)

Raise your hand if you are tired of the cynical, jaded attitudes that seem to have taken over and wiped out all but the touchiest, feeliest dolphin huggers of the world! In the pop culture world at least, it seams like it's just not cool to actually love anything or anyone. Ironic love of Members Only jackets and Phil Collins, yes. But I think a lot of folks now have a hard time coming out and saying they are really into something or someone. I guess that is too risky. We love songs about people who torch a car to spite an ex-lover. But when it comes to stories about people who love each other where things turn out just fine, people don't want to hear about it.

Seriously?! What exactly do we all have to be so bitter about? I say anyone who thinks it's unsophisticated, unrealistic, or immature to love life and be optimistic for the future is missing out on life itself.

-End Rant-

For this year's Crazy 4 Cult at Gallery 1988 I painted a series of small pieces I'm calling Weirdos in Love. These are four pieces are inspired by some of my favorite films: Harold and Maude, Wild at Heart, Napoleon Dynamite, and Better Off Dead.

I love the characters in these films because by the end of the story they grow up a little (or a lot) and decide to give love and life a real chance.

I hope these paintings can help make love and passion cool again! ....I guess we'll see.

Go And Love Some More

Water color and ink on Claybord, 5"x7"

You Got Me Hotter Than Georgia Asphalt

Water color and ink on Claybord, 5"x7"

There's More Where This Came From

Water color and ink on Claybord, 5"x7"

Language Lessons

Water color and ink on Claybord, 5"x7"

The 5th piece in this series is a bit larger and will part of I Know You Are But What Am I? The Pee wee Herman tribute show at Gallery 1988's Venice location.

CRAZY 4 CULT 5: I'M GETTING TOO OLD FOR THIS SHIT

Opening reception: Friday July 8, 7-11pm (show is up through July 30, 2011)

7020 Melrose Ave, Los Angeles, CA 90038, www.nineteeneightyeight.com